giovedì 9 gennaio 2014

Who is the person behind the photos?

I' m behind the photos and I’m even inside the pictures. It’s the detail I love the most, to be the eye and the body of your own creation, the jing and the jang, the good part and the mistake, biunique canal where to put all your lights and shades.



How did you discover photography and what makes you keep on doing it?
I always lived with pictures side by side. My mother used to shoot with the camera I’m still using now and my sister used to draw (she has a very good hand - I hate her) so I’ve always been sorrounded by visual perception and interpretation of reality, with different approaches to it. The photography chooses me because I've always felt the same instinct to express my personal universe but my hand was not so good to translate my thoughts on the paper, maybe my eyes could supply this missing (sarcastic laugh).

Is there anything you want express with your works?
My inner temple, what live and pulse inside my chest, my stomach, my blood. I’m not so arrogant to believe that I’m the “only one” to feel in a certain way, so I free my demons instead of fighting them, I take their hands and walk with them, show their figure to all the people that have the eyes to see and to understand (and I say this to myself before others most of times) that we are different parts of the same big thing (humanity) and what’s inside me can be inside you as well. I firmly believe that if we spent a glimpse of our time (but for real!) to search inside us and make things clear out of the mess we are individually, we could have a sensible benefit in our lives as a community (because we actually are one, what a surprise!), but it costs efforts and pains and just few illuminated people understand that this is the only path to walk to improve as human beings.


Which artist would you like to work with?
There are many replies to this answer. The first of all, I have to admit, will be Francesca Woodman, if she was still alive, because I breathe ad smell and taste her work, that is her life as well. She influences my neurons before my eyes and give me my intimate sense of decay inside beauty. The other name is an individuality so far from me that totally captured my attention years ago and makes me love him and his sharp eyes, even if it’s baroque in some chooses: Juergen Teller.


Tell us two bad habits you would like not have
Eating my nails until blood comes out and a schizophrenic relationship with food, that I hate most of time.


What are your passions besides photography?
My first love was writing and i’m still doing it. The more the time pass, the less words I use to talk about things and the sharper they get. Butterflies in the stomach and knives on the tongue.


What do you expect from your photographic future?
To be exactly like the present I have: unsure, bipolar, multi-functional, full of everything, my whole tiny life (and I’m not talking about job!).


martedì 7 gennaio 2014

Roberto Mastore


Non parlerò della mia prima macchina fotografica, era un cesso di macchina ed è poco interessante.
Non parlerò della passione per la fotografia, sarebbe un pippone tra l'autoreferenziale e il nostalgico.
Scriverò solo brevemente di un percorso, tra la l'esistenziale e il visivo, che mi ha portato a fare queste foto.


Vivo nella grigia e asettica periferia milanese, ma conservo gelosamente il ricordo di un tempo passato che, talvolta, si ripropone e mi porta a rivivere attimi in cui questi posti erano pieni di colori.
Un giorno lessi "Lezioni di fotografia" di Ghirri. Più che il lato tecnico, a cui evidentemente non mi sono mai ispirato, ho colto il lato umano delle parole con cui si descrivevano i singoli scatti.
E da quel giorno ho cominciato a parlare con le mie fotografie, ad annusarle, a capire che in qualche modo si poteva restituire un colore anche a tutto quello che ormai era invaso dal grigio.


L'ambizione non fa per me, non ambisco a riproporre un'immagine che già sia stata proposta, non penso di essere bravo, non penso di essere tecnicamente formato, mi riconosco solo un forte attaccamento alla terra, alla mia terra devastata da decenni di speculazioni edilizie e di oblio nei confronti di quello che è stato, e a tutte le bellezze che ancora esistono.
Ma la bellezza per me va ricercata nei posti che hanno lasciato spazio all'essere umano, quindi nella Sesto San Giovanni che fu la Stalingrado d'Italia, dove le fabbriche sono ormai dismesse e si respira ancora l'odore del sudore degli operai, dove se chiudi gli occhi li vedi ancora uscire con le loro gavette.



La bellezza si trova a Consonno, nel sogno delirante di un miliardario che si è trasformato in un ospizio per anziani, lasciando poi spazio alle TAZ dei rave.


E c'è bellezza in un Cristo pacchiano, che sembra farti l'occhiolino mentre guarda al mare di una regione tanto meravigliosa quanto piena di contraddizioni come la Calabria. 


Cerco la bellezza nei depositi delle ferrovie di Via Breda, dove molti compagni combatterono per avere condizioni di 
lavoro eque come la cerco in una strada che si lancia nell'acqua di un invaso nel piacentino, quasi a rappresentare il dolore dei molti che in questi anni hanno assistito a tragedie, devastazioni, inondazioni. 


La bellezza sta in una vecchia moto, all'angolo di una strada che non conosce colori, se non quel rosso fiammante, e trovo la bellezza nell'esplosione di fiori sul cemento della pavimentazione di quel piazzale, davanti al Teatro Ringhiera, colorato da bambini a ricordare Fabio, morto anni fa.



"La bellezza non è che il disvelamento di una tenebra caduta e della luce che ne è venuta fuori".
L'ha scritto Alda Merini, poetessa, milanese, donna che, anche se internata al Paolo Pini, ha saputo cogliere la bellezza in luoghi e persone che le avevano causato dolore.

venerdì 20 dicembre 2013

Who is the person behind the photos?

Well, my name is Katai and you pronounce that like kay-tee. I just turned 25 and I live in Montreal. Right now I'm working towards my BFA at Concordia University in Photography. I'm a bit of a creep, and a bit of an escapist. Most of my work comes from a connection between those places. I try to work out the formation of mental objects visually, because they're more comfortable to deal with that way.

 How did you discover photography and what makes you keep on doing it?
I've been really into taking pictures my whole life, but I realized my artistic interest in high school. It's not always easy to keep doing it. Especially now when convenient alternatives seem to be consuming the more mechanical or traditional alternatives. But aside from the frustration and problems that seem inherent to the medium, there are so many things that encourage me. I get really grumpy at school sometimes, but as soon as I lock myself in a darkroom and get involved in the routine of developing or printing for a few hours it becomes totally cathartic. I like the tedious nature of photography, I like old cameras with a million steps to remember, and that feeling of being alone in the dark, or behind the camera. Photography is full of so many interesting dichotomies. I'm primarily a portrait photographer so I constantly rely on the presence of others, yet I feel like it is also such a solitary process-at least right now, for me. I could probably answer this question forever, photography is so interesting and complicated and I have a weird relationship with it. 


Is there anything you want express with your works?
There is, but it is not a constant or singular thing. My images, especially if I'm working in a series, are typically a form of therapy to some degree. I don't know if they make me “better” so maybe therapy isn't the correct term, but my images come from a personal, often unsettled place. I don't mind if the ideas I put into my images are mistranslated by my audience, though. A lot of interesting observations have been made by outsiders. I think their perspectives drive the work really, after it been made it is those interpretations and reinterpretations that keep it alive. Anyway, I think more than anything I work from pretty vague emotional places where an attitude or atmosphere is what I am trying to express. 


 If you could be one age forever, how old would you be?
Well, this is not an easy question! I have always said I loved being 19, but who knows why. I don't really care about how old I am, I always feel like myself and some days are better than others regardless of my age. I love being young, it affords me endless opportunities, but I also look forward to sitting on a porch all day when I have white hair so, I don't know! Could I just say that I want to live forever? But only if my cat will too, and a select number of friends and family. 

  
What can most easily make you laugh?
My boyfriend, even though he feels nerdy and like I never laugh, I do! Also really stupid basic stuff, like people suddenly falling down or getting squirted in the face with their food. I fall down myself quite often, but not as much as one of my closest friends, who constantly entertains me with her fumbles. I really like witty movies and television shows, things that are funny because of their references to other things, or plays on language. Satire-like The Simpsons. A really good story, my dad can tell the hell out a story, and have you in stitches or tears. Also, my cat, because she is ridiculous.


 What are your hobbies besides photography?
I really like collaging, and sometimes I draw and paint. I'm hoping to do more of that this year at University, since I'm taking some time away from photo classes to return to my roots. I also really enjoy politics, and debating, although I don't think I have many friends who enjoy indulging this hobby of mine. I also love crafts, and I'm always inspired by new weird things to glue onto my clothes. I can't afford designer clothing or anything so if I really like something, I try to make something similar myself if I can. After I moved to Montreal I acquired a plant obsession out of no where. I'm terrible at keeping them alive, but it's fun to try. Right now I'm nursing two African Violets and an Orchid which has three blooms and 6 more on the way! I also have some dill and basil which I planted from seeds and they're just sprouting now. I'm a proud mama. I should also say I have an Aralia which despite my efforts, keeps having yellow leaf issues. If anyone knows anything about Aralias, let me know.


 What do you expect from your photographic future?
I expect a lot of myself. I would like to one day be able to work and travel, and have a home base here in Canada. If working in fashion can afford me those luxuries, that would be ideal I think. Fashion and photography are two of the most powerful ways in which I express myself, or behave transgressively, and it would be a dream to live my life doing that. I don't know what my path will be, right now I'm working on refining my work to exist in a contemporary photographic field which is difficult to do, especially when I have these ideas about fashion photography on the back burner all the time. I work a little bit on myself, and my work every day, and hopefully it will get me to a place I can be satisfied with at some point. 


Thanks to: Katai Stienstra

giovedì 19 dicembre 2013

Anne-Marie Arpin








Anne-Marie Arpin (33)
Currently travelling. Based in Melbourne (Australia) until February 2014.

More on: Website - Flickr - Facebook






martedì 17 dicembre 2013

Praha by Nicolò Panzeri

"Praga, apparentemente una parola senza senso compiuto.
In ogni caso riesce a evocare in me un turbinio di emozioni, ricordi; una parola che al solo pensiero mi fa commuovere.

Praga vuol dire pavé, adolescenza, litigi e amore. Vuol dire birra a fiumi, cibo di merda, ponti sulla Moldava, amici, gente incontrata per caso e persa per caso.
Vuol dire lasciare pezzi di cuore ad ogni mio ritorno e sapere che tanto poi l’estate sarà finita.

Ma significa anche svegliarsi all’alba, dopo una sbronza, per fotografare la città pressoché deserta, significa essere fermati in commissariato, significa alberi, parchi e skater. Al tempo stesso vuol dire anche condivisione e pace, quella spirituale sia chiaro.
Praga è avere sedici anni e prendersi la prima sbronza vera della vita nel tentativo di tener testa a delle tedesche.

Insomma, potrei star qui ore a scrivere di Lei.

Un’ultima cosa però, le ho promesso che il nostro non sarebbe stato un addio.
Ci rivedremo, ancora."











See the entire project here